Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

Saturday, May 9, 2015

#86, Memorial, Voyager, Season 6, Episdoe 14

It's been too long since I journeyed — trekked if you will — back to the Delta Quadrant. I realize now that it's been a while since my last trek-realted post, and for that, I apologize, dear readers. But life gets in the way. Work took a weird turn. I directed a web series due out next month, Assassin Nine and have been busy in post. Designed a card game. Had to vent about Batman V Superman: Dawn if Justice. Which brings me to 'Memorial,' and my general dereliction of duty. But now, I'm back to it, with the latest in the Top 100 episodes of Trek according to io9 fan poll.

I had watched 'Memorial' weeks ago when I first set down to write this entry, and, well, nothing stuck. This is the second time I've watched a Voyager episode in this countdown and came away going, "Yeah, okay, fine, whatever, that happened." So, for a second time, I had to wonder if there's something in this episode that I missed. And as it gnawed at me -- what's the deal with this episode, why have fans dubbed it worthy to be on this list -- I think the point of the episode is that sometimes there is no clear answer. Voyager takes on a heavy, complex topic, but because this is a space-adventure show, it comes at it a bit sideways.

"Ugh, get on with it, already. Seriously." — Tom Paris

Tom, Harry, Chakotay and Neelix are returning from a weeks-long mission aboard the Delta Flyer. When they return to the ship they start having vivid and violent dreams about an armed, alien conflict, where they were participants. These visions go from being dreams to waking nightmares where the characters can't tell the dream from reality. Tom has a breakdown in his quarters. Neelix takes his goddaughter hostage in the mess hall. And the whatever-it-is starts to spread throughout the crew. Nightmares and visions of a way no one had fought. Even Janeway starts to feel the effects of the dreams.

As they follow the mystery and backtrack the Flyer's path, they discover an alien beacon, showing a massacre from their history with the events beamed directly into passerby's brains. They find an alien obelisk on a planet, a memorial to the event that happened centuries ago. Anyone in range relives the firefight, so that it's never forgotten.

The show tries to dive into the moral complexity of war. Showing a military police action forcibly removing colonists from their homes, and things get out of hand. The colonists fight back and someone opens fire and violent higgledy-piggeldy ensues. Other than the commander of the military rigidly following orders (which those types are wont to do) and being a dick about it, there's no clear right or wrong here. It's just people caught in the middle of a difficult situation that has spiraled out of control.

Through the characters, they explore PTSD, with Tom, Neelix, and Chakotay playing the roles of soldiers retuning from duty and trying to re-assimilate back to normal life. Tom comes home to his wife, who greets hm with beer, popcorn and television (literally). They fight. Harry returns to work, and finds tasks that should have been routine, horrifying. Neelix has a complete psychotic break and takes the aforementioned hostage, forever changing his relationship with his goddaughter, Naomi. All of this is pretty heavy stuff coming from a show with space lasers, a woman in a silver catsuit, and a Neelix.

"Don't worry, Naomi! I'll protect you from the nothing!" — Neelix

Let's talk about Nelix. Much of my initial reaction to Nelix as a character was responding to his aesthetic. He, like Quark on DS9, is the alien outsider, an excuse to exposit on the state of humanity in the 24th century. Like Quark, his appearance is over-the-top, clownish among the predominantly black uniforms of the rest of the crew. Initially, I didn't care for him. His make-up and faux-hawk hair were on the side of the ridiculous. But past his leopard-goldfish-bulldog appearance, I do like the character. He's charming, optimistic, and brings a bit of color both metaphorically and physically to the show. Ethan Phillips has to do a hell of a job acting through that makeup job, and when he emotes, it can come across as silly. Not here, though. Here, his pain and fear come off as real as a man in a leopard-goldfish-bulldog mask can.

As the crew finds the obelisk, they spend a hot second wondering whether to turn it off. To prevent others from suffering the same fate as the crew. Their decision to leave it be, at first feels like a cop out. Janeway passing the moral buck because it's not her decision to make. But, it's not. And her leaving the memorial be is the right thing to do, so that the pain and loss of the massacre won't be forgotten. The episode is a bit ham-fisted, but sometimes Star Trek is what it is, a space-adventure show.

'Tricorder is reading high-doses of heavy-handed dialog. The OTN readings are off the charts." — Janeway

Star Trek likes to ask the tough questions. Memorial shows that those tough questions don't always have answers.

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Next up, we're off the Roswell, New Mexico, for one of my favorite episodes of Deep Space Nine, 'Little Green Men.'


Wednesday, November 12, 2014

#93 Future's End, Voyager, Season 3, Episodes 8 & 9

This is where I take a beat to remind everyone reading that this is not my list of the Top 100 Trek Episodes of All Time. This exercise for me is a chance (an excuse, really) to examine a brand I love and revisit some great moments of science fiction television. So, not my list. I say this because I would have never...

Neh-vher...

...Put the two-part  'Future's End' on any list of anything other than Top 100 things I don't ever need to see again. The Voyager crew travels back in the past to the 1990s to stop a catastrophe in the 29th century and... Because... Ed Begley, Jr.? There's a time paradox and a ship from Voyager's future and the crew dresses all 90s and... Ugh...

Trek is known for its comedic episodes. And this one, well, falls flat. There's a lot of forced attempts at humor in this episode. Neelix watches tabloid tv! Voyager is an UFO on the news! Ed Begley, Jr. is a villain! Janeway wears a pantsuit with giant, giant shoulder pads! The crazy homeless guy who claims to be from the future is actually from the future! Tuvok wears a hat!

"This hat hides both my alien heritage and my dignity." — Tuvok
We even lose some of the time-travel-fish-out-of-water shenanigans because Tom Paris is supposedly an expert on 20th century. And, for all that seems to be be going on with the future time ship, stealing technology from the future, trying to stop the paradox, Tom's romance with an astrophysicist...

Hold up.

Is that...?

Holy crap, that's Sarah Silverman. Mind... blown...

Okay, I digress. For all that's going on, they're seemingly spread too little episode over too much time. It's so thin, that they throw in some survivalists/government conspiracists at the end of the second episode to hold Chakotay and B'Elanna hostage seemingly to just run out the clock and provide a modicum of action. Hacker Begley, Jr.'s main threat to Voyager is taking over their computer so there was a lot of evil typing while grinning maniacally.

Silverman's character, Rain Robinson, is an astrophysicist working for Ed Begley's Harry Starling and is not having any of Tuvok's and Tom's shenanigans. She sees right through their attempts to be 90s. She calls out their odd behavior and isn't fooled by Tuvok's hat covering his ears. She's surrounded by spacemen, aliens, holograms, starships and takes it all in stride. She's written smart and it's refreshing to have someone call bullshit on the things going on around her. If there's one thing that works in this episode, it's one of the icons of the alternative comedy movement playing it straight. A feat of cosmic irony, which I calculate as making zero-point-zero sense.

Silverman makes zero filthy jokes in these episodes. What's wrong with the universe?  

According to rumor, Silverman was considered to be made a series regular, joining the crew. And one can't help but wonder what direction the show might have taken if she had been part of the retooling of Voyager and not Jeri Ryan's Seven of Nine, Tertiary Adjunct of Unimatrix Zero-One. Fewer formfitting silver catsuits, probably, but we'll never know for sure.

Speaking of casting against type, Ed Begley, Jr. plays a billionaire mogul driven to steal technological advancements from the future at any cost so he can sell them for even more billions! He's selfish, destructive, and sociopathic, and carries about as much weight as a substitute chemistry teacher. If I've noticed anything in episodes that I've not really connected with is a villain who's non-threatening or miscast (I'm looking at you Kivas Fajo).

And in complete trekkie nitpickery, there's not one single mention of the Eugenics War that was supposed to be happening on earth at the time of this episode. Not even an obligatory 'historical records must have been off by a few decades' or 'the timeline's been altered.' Come on, Trek! 

Now, it's time to say something nice. These episodes provides the show with an excuse to let the Doctor out of sickbay with a piece of technobabble from the 29th century. Something that the show will play with throughout the remainder of the series. The Doctor, as always, is fun.

Trek in all of its iterations has its ups and downs. What surprises me is how well this episode is rated.   The reviews are generally positive, citing both Begley and the time travel bits as clever. I'm here to offer the counter argument, I guess. This one was just not for me.

Sorry, Sarah.

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Next up, it's back to Deep Space Nine with the Magnificent Ferengi.